| Francesca Aimi | Domenico Veneziano in mid-15th-century Florence | (Dr Cooper) |
| Bornø, Aisha Lovise Maud | The artistic agency of Norwegian female painters in Paris, c. 1878-1900 | |
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Ilaria Bernocchi |
Italian heroic portraits in the Sixteenth Century |
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Helen Bremm |
Surrealist Tempera Paintings in Mexico and the United States, c.1940-1970 | (Prof Mahon) |
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Francesco Capitummino |
Sculptural Apparatuses and Architectural Systems in Norman Sicily from Roger II to William II. Palermo, Cefalu’ and Monreale |
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Chiara Capulli |
Displacement and Reconfiguration: The Effects of the Florentine Guasto of 1529 on Devotional Spaces and Networks of Artistic Patronage | |
| Carrie, Samantha Louise | The Greek Revival’s role in the Formation of National Identity in Scotland and Prussia between 1760 and 1840 | |
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Alice Cawley |
Decadence and Proto-Punk Aesthetics in New York City, 1959-1976 |
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| Quaid Childers | Rococo Metalwork and Light | (Prof van Eck) |
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Jonathan Clarke |
The speculative office in inter-war England |
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| Jamie Danis | I Have Nothing to Say and I’m Saying It: Silence, Withdrawal, and Refusal in Postwar American Art | (Dr Tobin) |
| Blanche Darbord | (Dr Slater) | |
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Anneke de Bont |
The Christian Epistemic Image in Northern European Print, c.1570–c.1700 | (Prof Marr) |
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Panagiotis Doudesis |
Centrepieces. Compositions for the adornment of the western European formal table from the 1680s to the 1840s | (Prof van Eck) |
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Elisabetta Garletti |
Feminist Video in the Twenty-First Century: Self-Presentation, Labour and Gender Difference |
(Prof Mahon) |
| Luming Guan |
Artists as Tricksters: Resourceful Artists in the German Renaissance |
(Prof Marr) |
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Sommer Hallquist |
(Dr Slater) | |
| Ciaran Hervás | Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin | (Prof Mahon) |
| Isabelle Kent | The Male Body as Artifice in Early Modern Spain | (Prof Marr) |
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Alexander Kusztyk |
(Dr Salmon) | |
| Suri Li | Tuscan Dominican Nunneries: Art and Reform from the Fourteenth to Sixteenth Centuries’ | (Dr Cooper) |
| Giles Lucas | Seeing Below the Surface: Reconstructing Tramezzo Screens in Mendicant Churches in Central Italy | (Dr Cooper) |
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Giorgia Mancini |
Recovering the lost context of the Rovarella altarpiece by Cosmè Tura. The Olivetan church of San Giorgio fuori le mura in Ferrara |
(Dr Cooper) |
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Philip Muijtjens |
‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530 |
(Dr Cooper) |
| Ane Cornelia Pade | (Prof van Eck) | |
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Isabel Stokholm Romanova |
Fathers & Sons? Uncovering Cross-Generational Relations in the Russian Art World, 1880-1923 | (Prof Blakesley) |
| Emma Sharples |
Ithell Colquhoun: A Contextual Study of the Artist’s Imagery and Working Practices focused on Tate’s Newly Expanded Collection and Archive 1906-1988 |
(Prof Mahon) |
| Kyoko Takemura | (Dr Cooper) | |
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Stella Wisgrill |
Material Virtue and the Poetics of Metals in the Making of Habsburg Identity 1477-1519 | (Prof Marr) |
| Michela Young | The Vallombrosans in Florence: social and artistic networks 1300-1550 | (Dr Cooper) |
| Zifeng Zhao | Porcelain Cabinets and the Arrangement of Experience at Eighteenth-Century German Courts | (Prof van Eck) |