|
Stephanie Azzarello |
Reassembling the sacred: the Murano Master and the illuminated choir books of the Camaldolese House of San Mattia di Murano |
(Dr Cooper) |
|
Neylan Bagcioglu |
Politics of the project: radical art in Britain (1972-79) |
(Dr Skrebowski) |
|
Ilaria Bernocchi |
Italian heroic portraits in the Sixteenth Century |
(Dr Marr) |
|
Alice Blow |
Cross-dressing in the Art and Culture of Early Modern Northern Europe, c.1500-1650 |
(Dr Marr) |
|
Aisha Bornoe |
The artistic agency of Norwegian female painters in Paris, c. 1878-1900 |
(Prof Blakesley) |
|
Francesco Capitummino |
Sculptural Apparatuses and Architectural Systems in Norman Sicily from Roger II to William II. Palermo, Cefalu’ and Monreale |
(Dr Cooper) |
|
Chiara Capulli |
Displacement and reconfiguration: the effects of the Florentine Siege of 1529 on devotional spaces and networks of artistic patronage |
(Dr Cooper) |
|
Alice Cawley |
Decadence and Proto-Punk Aesthetics in New York City, 1959-1976 |
(Dr Mahon) |
|
Jonathan Clarke |
The speculative office in inter-war England |
(Dr Salmon) |
|
Anneke de Bont |
Early Modern Schematic Prints from Northern Europe | (Dr Marr) |
|
Amandine Didouan |
Early modern equestrian visual culture | (Dr Marr) |
|
Julien Domercq |
From noble to ignoble savage: representing the Pacific, circa 1770-1810 | (Prof Massing) |
|
Panagiotis Doudesis |
Worlds in miniature, called centrepieces: The use of architecture as adornment for the formal table in Western Europe 1688-1815 |
(Prof van Eck) |
|
Francesca Dytor |
The Primitive Quattrocento | (Prof van Eck) |
|
Elisabetta Garletti |
Feminist Video in the Twenty-First Century: Self-Presentation, Labour and Gender Difference |
(Dr Mahon) |
|
Giles Lucas |
Seeing Below the Surface: Reconstructing Tramezzo Screens in Mendicant Churches in Central Italy |
(Dr Cooper) |
|
Robert Hawkins |
Questions of sculptural idiom in the later bosses from Norwich Cathedral cloister (c.1411-1430) |
(Prof Binski) |
|
Elisabeth Huits |
A New Visual Narrative of Nineteenth-Century Historicism | (Prof van Eck) |
|
Krisztina Ilko |
The artistic patronage of the Augustinian Friars in Central Italy (1256-c.1370) |
(Dr Cooper) |
|
Amy Jeffs |
Picture-books, politics & pedagogy: illustrating histories for a young reader, 1338-40 | (Prof Binski) |
|
Kamila Kocialkowska |
The aesthetics of censorship and the Russian avant-garde: abstraction beyond art |
(Prof Blakesley) |
|
Alexander Kusztyk |
Nineteenth-Century Painting and the Debate of Ancient Polychrome Architecture |
(Dr Salmon) |
|
Giorgia Mancini |
Recovering the lost context of the Rovarella altarpiece by Cosmè Tura. The Olivetan church of San Giorgio fuori le mura in Ferrara |
(Dr Cooper) |
|
Elizabeth Marx |
Piquant Perfumes and Putrid Effluvia: Visualising Smell in the Seventeenth Century Netherlands and Neighbouring Regions |
(Prof Massing) |
|
Sophie Rhodes |
Peter Oliver and the Miniature in Stuart England | (Dr Marr) |
|
Isabel Stokholm Romanova |
Fathers & Sons? Uncovering Cross-Generational Relations in the Russian Art World, 1880-1923 | (Prof Blakesley) |
|
Frances Rothwell Hughes |
The Heraldic Imagination in Early Modern Northern Europe | (Dr Marr) |
|
Emily Roy |
Modernization, Cultural Exchanges and Innovation in Russian Print Culture with reference to the Talbot Collection in the Ashmolean |
(Prof Blakesley) |
|
Luise Scheidt |
The Representation of Battle and War in Cinquecento Venice | (Prof Howard) |
|
Bianca Schor |
Picturing Dutch Brazil in Early Modern European Cultures: The Reception of Johan Maurits van Nassau-Siegen’s Brazilianas in seventeenth- and |
(Prof Massing) |
|
Rebecca Tropp |
Movement in the country houses of James Wyatt, John Nash and John Soane c.1790-1815 |
(Dr Salmon) |
|
Koenraad Vos |
The Display of Sculpture in the Vatican Museums |
(Prof van Eck) |
|
Ralph Wade |
The Country Houses of David Bryce (1803-76): An |
(Dr Salmon) |
|
Stella Wisgrill |
Armour as Animated Sculpture in sixteenth-century Germany | (Dr Marr) |