| Francesca Aimi | Domenico Veneziano in mid-15th-century Florence | (Dr Cooper) |
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Ilaria Bernocchi |
Italian heroic portraits in the Sixteenth Century |
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Scandinavian women artists in and beyond the Parisian avant-garde |
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| Surrealist Tempera Paintings in Mexico and the United States, c.1940-1970 | (Prof Mahon) | |
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Francesco Capitummino |
Sculptural Apparatuses and Architectural Systems in Norman Sicily from Roger II to William II. Palermo, Cefalu’ and Monreale |
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| Displacement and Reconfiguration: The Effects of the Florentine Guasto of 1529 on Devotional Spaces and Networks of Artistic Patronage | ||
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Decadence and Proto-Punk Aesthetics in New York City, 1959-1976 |
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The speculative office in inter-war England |
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| The career and work of May Morris (1862-1938) | (Prof Blakesley) | |
| Jamie Danis | I Have Nothing to Say and I’m Saying It: Silence, Withdrawal, and Refusal in Postwar American Art | (Dr Tobin) |
| The Christian Epistemic Image in Northern European Print, c.1570–c.1700 | (Prof Marr) | |
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Julien Domercq |
From noble to ignoble savage: representing the Pacific, circa 1770-1810 | (Prof Massing) |
| Centrepieces. Compositions for the adornment of the western European formal table from the 1680s to the 1840s | (Prof van Eck) | |
| Reanimating the Renaissance, 1873 - 1914 | (Prof van Eck) | |
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Feminist Video in the Twenty-First Century: Self-Presentation, Labour and Gender Difference |
(Prof Mahon) | |
| Luming Guan |
Artists as Tricksters: Resourceful Artists in the German Renaissance |
(Prof Marr) |
| A New Visual Narrative of Nineteenth-Century Historicism | (Prof van Eck) | |
| Isabelle Kent | The Male Body as Artifice in Early Modern Spain | (Prof Marr) |
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Painting Until it Becomes 'Marbelous': Victorian Life, Edwardian Death and Modern Afterlife of the Marbling Artist |
(Dr Salmon) | |
| Suri Li | Tuscan Dominican Nunneries: Art and Reform from the Fourteenth to Sixteenth Centuries’ | (Dr Cooper) |
| Giles Lucas | Seeing Below the Surface: Reconstructing Tramezzo Screens in Mendicant Churches in Central Italy | (Dr Cooper) |
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Giorgia Mancini |
Recovering the lost context of the Rovarella altarpiece by Cosmè Tura. The Olivetan church of San Giorgio fuori le mura in Ferrara |
(Dr Cooper) |
| Ane Cornelia Pade | The Parisian Pleasure Gardens 1795-1815 | (Prof van Eck) |
| Peter Oliver and the Miniature in Stuart England | (Prof Marr) | |
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Isabel Stokholm Romanova |
Fathers & Sons? Uncovering Cross-Generational Relations in the Russian Art World, 1880-1923 | (Prof Blakesley) |
| The Heraldic Imagination in Early Modern Northern Europe | (Prof Marr) | |
| Emma Sharples |
Ithell Colquhoun: A Contextual Study of the Artist’s Imagery and Working Practices focused on Tate’s Newly Expanded Collection and Archive 1906-1988 |
(Prof Mahon) |
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The Display of Sculpture in the Vatican Museums |
(Prof van Eck) | |
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Ralph Wade |
The Country Houses of David Bryce (1803-76): An |
(Dr Salmon) |
| Material Virtue and the Poetics of Metals in the Making of Habsburg Identity 1477-1519 | (Prof Marr) | |
| Michela Young | The Vallombrosans in Florence: social and artistic networks 1300-1550 | (Dr Cooper) |
| Zifeng Zhao | Porcelain Cabinets and the Arrangement of Experience at Eighteenth-Century German Courts | (Prof van Eck) |