Skip to main content
University of Cambridge
Department of History of Art

Department of History of Art

  • Home
  • Libraries
  • Cambridge - Columbia Exchange
  • Distinguished Alumni
  • Museums
  • Computing
  • Keeping in Touch
  • The Cambridge-Boughton House Partnership
  • News
  • Events

People

  • People overview
  • Head of Department
  • Affiliated Staff
  • Slade Visiting Professors
  • Professional Staff

Academic Staff

  • Academic Staff overview
  • Peyvand Firouzeh

Study with us

  • Study with us overview

Undergraduate Courses

  • Undergraduate Courses overview
  • Why study Art History?
  • Teaching and Learning
  • Studying in Cambridge
  • What Our Students Say

The Course

  • The Course overview
  • Year 1
  • Years 2 and 3

Careers in Art History

  • Careers in Art History overview
  • Destinations of recent alumni
  • Alumni Profiles

Outreach

  • Outreach overview
  • Masterclasses
  • Open Days
  • Sutton Trust Summer School
  • Resources and Other Programmes

Postgraduate Courses

  • Postgraduate Courses overview
  • How to apply for the PhD in History of Art
  • List of Supervisors for PhDs
  • Language Centre

MPhil in the Global History of Art and Architecture

  • MPhil in the Global History of Art and Architecture overview
  • FAQs

Research

  • Research overview
  • Francesca Aimi: Domenico Veneziano in Context: Reassessing Florentine Visual Culture in the 1440s
  • Anneke de Bont: The Christian Epistemic Image in Northern European Print, c.1570–c.1700
  • Group Work: Contemporary Art and Feminism
  • Medieval and Renaissance Visual Culture
  • Eighteenth- and Nineteenth-Century Art and Architecture
  • Helen Bremm: Surrealist Tempera Paintings in Mexico and the United States, c.1940–1970
  • Modern and Contemporary Art and Theory
  • Quaid Childers: Rococo Metalwork and Light
  • Blanche Darbord: Model King or Tyrant?: Alexander the Great in Manuscript Illumination and the Representation of Kingship in Plantagenet England (1154-1485)
  • Global Art
  • Sommer Hallquist: From Fear of Hell to Love of Christ: The Monastic Devotional Use of MS K.21 in the Library of St. John’s College, Cambridge
  • Ciaran Hervás: Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin
  • Alexander Kusztyk: Representations of Marble in Art from 1901 to 2023
  • Philip Muijtjens: ‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530
  • Ane Cornelia Pade: The Parisian Pleasure Gardens 1795-1815: Architectural appropriation and social negotiation in early postrevolutionary Paris
  • Kyoko Takemura: Re-evaluation of punch marks on early Italian paintings
  • Feminist Art Making Histories

Research Centres

  • Research Centres overview
  • Cambridge Visual Culture

Seminar Series

  • Seminar Series overview
  • The Medieval Art Seminar Series
  • HoA Early Career Research Forum
  • The Cambridge Modern and Contemporary Art Seminar Series
  • The Renaissance and Early Modern Seminar Series
  • History of Art Postgraduate Research Seminar Series

The Slade Lectures in Fine Art

  • The Slade Lectures in Fine Art overview
  • Previous Slade Visiting Professors
  • Home
  • Libraries
  • Cambridge - Columbia Exchange
  • Distinguished Alumni
  • Museums
  • People

    People

    People overview
    • Head of Department
    • Academic Staff
    • Affiliated Staff
    • Slade Visiting Professors
    • Professional Staff
  • Computing
  • Keeping in Touch
  • Study with us

    Study with us

    Study with us overview
    • Undergraduate Courses
    • Postgraduate Courses
  • The Cambridge-Boughton House Partnership
  • Research

    Research

    Research overview
    • Francesca Aimi: Domenico Veneziano in Context: Reassessing Florentine Visual Culture in the 1440s
    • Anneke de Bont: The Christian Epistemic Image in Northern European Print, c.1570–c.1700
    • Group Work: Contemporary Art and Feminism
    • Medieval and Renaissance Visual Culture
    • Eighteenth- and Nineteenth-Century Art and Architecture
    • Helen Bremm: Surrealist Tempera Paintings in Mexico and the United States, c.1940–1970
    • Modern and Contemporary Art and Theory
    • Quaid Childers: Rococo Metalwork and Light
    • Blanche Darbord: Model King or Tyrant?: Alexander the Great in Manuscript Illumination and the Representation of Kingship in Plantagenet England (1154-1485)
    • Global Art
    • Sommer Hallquist: From Fear of Hell to Love of Christ: The Monastic Devotional Use of MS K.21 in the Library of St. John’s College, Cambridge
    • Ciaran Hervás: Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin
    • Alexander Kusztyk: Representations of Marble in Art from 1901 to 2023
    • Philip Muijtjens: ‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530
    • Ane Cornelia Pade: The Parisian Pleasure Gardens 1795-1815: Architectural appropriation and social negotiation in early postrevolutionary Paris
    • Kyoko Takemura: Re-evaluation of punch marks on early Italian paintings
    • Feminist Art Making Histories
    • Research Centres
  • Seminar Series

    Seminar Series

    Seminar Series overview
    • The Medieval Art Seminar Series
    • HoA Early Career Research Forum
    • The Cambridge Modern and Contemporary Art Seminar Series
    • The Renaissance and Early Modern Seminar Series
    • The Slade Lectures in Fine Art
    • History of Art Postgraduate Research Seminar Series
  • News
  • Events
    • Home
    • Libraries
    • Cambridge - Columbia Exchange
    • Distinguished Alumni
    • Museums
    • People
    • Computing
    • Keeping in Touch
    • Study with us
    • The Cambridge-Boughton House Partnership
    • Research
    • Seminar Series
    • News
    • Events
  1. Home
  2. Seminars
  3. The Cambridge Modern and Contemporary Art Seminar Series

Seminar Series

  • Seminar Series overview
  • The Medieval Art Seminar Series
  • HoA Early Career Research Forum
  • The Cambridge Modern and Contemporary Art Seminar Series
  • The Renaissance and Early Modern Seminar Series
  • The Slade Lectures in Fine Art
  • History of Art Postgraduate Research Seminar Series

The Cambridge Modern and Contemporary Art Seminar Series

TBA.

 

The Modern and Contemporary Art (MaCA) Seminars are organised by Dr Amy Tobin and Dr Saul Nelson. 

Department of History of Art

Contact Information

1-5 Scroope Terrace Trumpington Street Cambridge CB2 1PX
hoart-secretary@aha.cam.ac.uk
01223 332960

University of Cambridge

Logo © 2026 University of Cambridge
Privacy policy Accessibility Freedom of information Modern slavery Terms and conditions