Research Research overview Francesca Aimi: Domenico Veneziano in Context: Reassessing Florentine Visual Culture in the 1440s Anneke de Bont: The Christian Epistemic Image in Northern European Print, c.1570–c.1700 Group Work: Contemporary Art and Feminism Medieval and Renaissance Visual Culture Eighteenth- and Nineteenth-Century Art and Architecture Helen Bremm: Surrealist Tempera Paintings in Mexico and the United States, c.1940–1970 Modern and Contemporary Art and Theory Quaid Childers: Rococo Metalwork and Light Blanche Darbord: Model King or Tyrant?: Alexander the Great in Manuscript Illumination and the Representation of Kingship in Plantagenet England (1154-1485) Global Art Sommer Hallquist: From Fear of Hell to Love of Christ: The Monastic Devotional Use of MS K.21 in the Library of St. John’s College, Cambridge Ciaran Hervás: Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin Alexander Kusztyk: Representations of Marble in Art from 1901 to 2023 Philip Muijtjens: ‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530 Ane Cornelia Pade: The Parisian Pleasure Gardens 1795-1815: Architectural appropriation and social negotiation in early postrevolutionary Paris Kyoko Takemura: Re-evaluation of punch marks on early Italian paintings Feminist Art Making Histories Research Centres Cambridge Visual Culture Research Centres The Ax:son Johnson Centre for the Study of Classical ArchitectureCambridge Visual Culture
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