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Francesca Aimi: Domenico Veneziano in Context: Reassessing Florentine Visual Culture in the 1440s
Anneke de Bont: The Christian Epistemic Image in Northern European Print, c.1570–c.1700
Group Work: Contemporary Art and Feminism
Medieval and Renaissance Visual Culture
Eighteenth- and Nineteenth-Century Art and Architecture
Helen Bremm: Surrealist Tempera Paintings in Mexico and the United States, c.1940–1970
Modern and Contemporary Art and Theory
Quaid Childers: Rococo Metalwork and Light
Blanche Darbord: Model King or Tyrant?: Alexander the Great in Manuscript Illumination and the Representation of Kingship in Plantagenet England (1154-1485)
Global Art
Sommer Hallquist: From Fear of Hell to Love of Christ: The Monastic Devotional Use of MS K.21 in the Library of St. John’s College, Cambridge
Ciaran Hervás: Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin
Alexander Kusztyk: Representations of Marble in Art from 1901 to 2023
Philip Muijtjens: ‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530
Ane Cornelia Pade: The Parisian Pleasure Gardens 1795-1815: Architectural appropriation and social negotiation in early postrevolutionary Paris
Kyoko Takemura: Re-evaluation of punch marks on early Italian paintings
Feminist Art Making Histories
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Cambridge Visual Culture
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The Medieval Art Seminar Series
HoA Early Career Research Forum
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History of Art Postgraduate Research Seminar Series
The Slade Lectures in Fine Art
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Research overview
Francesca Aimi: Domenico Veneziano in Context: Reassessing Florentine Visual Culture in the 1440s
Anneke de Bont: The Christian Epistemic Image in Northern European Print, c.1570–c.1700
Group Work: Contemporary Art and Feminism
Medieval and Renaissance Visual Culture
Eighteenth- and Nineteenth-Century Art and Architecture
Helen Bremm: Surrealist Tempera Paintings in Mexico and the United States, c.1940–1970
Modern and Contemporary Art and Theory
Quaid Childers: Rococo Metalwork and Light
Blanche Darbord: Model King or Tyrant?: Alexander the Great in Manuscript Illumination and the Representation of Kingship in Plantagenet England (1154-1485)
Global Art
Sommer Hallquist: From Fear of Hell to Love of Christ: The Monastic Devotional Use of MS K.21 in the Library of St. John’s College, Cambridge
Ciaran Hervás: Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin
Alexander Kusztyk: Representations of Marble in Art from 1901 to 2023
Philip Muijtjens: ‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530
Ane Cornelia Pade: The Parisian Pleasure Gardens 1795-1815: Architectural appropriation and social negotiation in early postrevolutionary Paris
Kyoko Takemura: Re-evaluation of punch marks on early Italian paintings
Feminist Art Making Histories
Research Centres
Seminar Series
Seminar Series
Seminar Series overview
The Medieval Art Seminar Series
HoA Early Career Research Forum
The Cambridge Modern and Contemporary Art Seminar Series
The Renaissance and Early Modern Seminar Series
The Slade Lectures in Fine Art
History of Art Postgraduate Research Seminar Series
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Otto Demus Corres.FBA
Otto Demus
Slade Professor from 1968-69
Professor of Art History, University of Vienna
