Skip to main content
University of Cambridge
Department of History of Art

Department of History of Art

  • Home
  • Libraries
  • Cambridge - Columbia Exchange
  • Distinguished Alumni
  • Museums
  • Computing
  • Keeping in Touch
  • The Cambridge-Boughton House Partnership
  • News
  • Events

People

  • People overview
  • Head of Department
  • Affiliated Staff
  • Slade Visiting Professors
  • Professional Staff

Academic Staff

  • Academic Staff overview
  • Peyvand Firouzeh

Study with us

  • Study with us overview

Undergraduate Courses

  • Undergraduate Courses overview
  • Why study Art History?
  • Teaching and Learning
  • Studying in Cambridge
  • What Our Students Say

The Course

  • The Course overview
  • Year 1
  • Years 2 and 3

Careers in Art History

  • Careers in Art History overview
  • Destinations of recent alumni
  • Alumni Profiles

Outreach

  • Outreach overview
  • Masterclasses
  • Open Days
  • Sutton Trust Summer School
  • Resources and Other Programmes

Postgraduate Courses

  • Postgraduate Courses overview
  • How to apply for the PhD in History of Art
  • List of Supervisors for PhDs
  • Language Centre

MPhil in the Global History of Art and Architecture

  • MPhil in the Global History of Art and Architecture overview
  • FAQs

Research

  • Research overview
  • Francesca Aimi: Domenico Veneziano in Context: Reassessing Florentine Visual Culture in the 1440s
  • Anneke de Bont: The Christian Epistemic Image in Northern European Print, c.1570–c.1700
  • Group Work: Contemporary Art and Feminism
  • Medieval and Renaissance Visual Culture
  • Eighteenth- and Nineteenth-Century Art and Architecture
  • Helen Bremm: Surrealist Tempera Paintings in Mexico and the United States, c.1940–1970
  • Modern and Contemporary Art and Theory
  • Quaid Childers: Rococo Metalwork and Light
  • Blanche Darbord: Model King or Tyrant?: Alexander the Great in Manuscript Illumination and the Representation of Kingship in Plantagenet England (1154-1485)
  • Global Art
  • Sommer Hallquist: From Fear of Hell to Love of Christ: The Monastic Devotional Use of MS K.21 in the Library of St. John’s College, Cambridge
  • Ciaran Hervás: Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin
  • Alexander Kusztyk: Representations of Marble in Art from 1901 to 2023
  • Philip Muijtjens: ‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530
  • Ane Cornelia Pade: The Parisian Pleasure Gardens 1795-1815: Architectural appropriation and social negotiation in early postrevolutionary Paris
  • Kyoko Takemura: Re-evaluation of punch marks on early Italian paintings
  • Feminist Art Making Histories

Research Centres

  • Research Centres overview
  • Cambridge Visual Culture

Seminar Series

  • Seminar Series overview
  • The Medieval Art Seminar Series
  • HoA Early Career Research Forum
  • The Cambridge Modern and Contemporary Art Seminar Series
  • The Renaissance and Early Modern Seminar Series
  • History of Art Postgraduate Research Seminar Series

The Slade Lectures in Fine Art

  • The Slade Lectures in Fine Art overview
  • Previous Slade Visiting Professors
  • Home
  • Libraries
  • Cambridge - Columbia Exchange
  • Distinguished Alumni
  • Museums
  • People

    People

    People overview
    • Head of Department
    • Academic Staff
    • Affiliated Staff
    • Slade Visiting Professors
    • Professional Staff
  • Computing
  • Keeping in Touch
  • Study with us

    Study with us

    Study with us overview
    • Undergraduate Courses
    • Postgraduate Courses
  • The Cambridge-Boughton House Partnership
  • Research

    Research

    Research overview
    • Francesca Aimi: Domenico Veneziano in Context: Reassessing Florentine Visual Culture in the 1440s
    • Anneke de Bont: The Christian Epistemic Image in Northern European Print, c.1570–c.1700
    • Group Work: Contemporary Art and Feminism
    • Medieval and Renaissance Visual Culture
    • Eighteenth- and Nineteenth-Century Art and Architecture
    • Helen Bremm: Surrealist Tempera Paintings in Mexico and the United States, c.1940–1970
    • Modern and Contemporary Art and Theory
    • Quaid Childers: Rococo Metalwork and Light
    • Blanche Darbord: Model King or Tyrant?: Alexander the Great in Manuscript Illumination and the Representation of Kingship in Plantagenet England (1154-1485)
    • Global Art
    • Sommer Hallquist: From Fear of Hell to Love of Christ: The Monastic Devotional Use of MS K.21 in the Library of St. John’s College, Cambridge
    • Ciaran Hervás: Sexology and the Avant-Garde: Photographing Queer Embodiment and Desire in Interwar Paris and Berlin
    • Alexander Kusztyk: Representations of Marble in Art from 1901 to 2023
    • Philip Muijtjens: ‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530
    • Ane Cornelia Pade: The Parisian Pleasure Gardens 1795-1815: Architectural appropriation and social negotiation in early postrevolutionary Paris
    • Kyoko Takemura: Re-evaluation of punch marks on early Italian paintings
    • Feminist Art Making Histories
    • Research Centres
  • Seminar Series

    Seminar Series

    Seminar Series overview
    • The Medieval Art Seminar Series
    • HoA Early Career Research Forum
    • The Cambridge Modern and Contemporary Art Seminar Series
    • The Renaissance and Early Modern Seminar Series
    • The Slade Lectures in Fine Art
    • History of Art Postgraduate Research Seminar Series
  • News
  • Events
    • Home
    • Libraries
    • Cambridge - Columbia Exchange
    • Distinguished Alumni
    • Museums
    • People
    • Computing
    • Keeping in Touch
    • Study with us
    • The Cambridge-Boughton House Partnership
    • Research
    • Seminar Series
    • News
    • Events
  1. Home
  2. People
  3. Lisa Arnold

Lisa Arnold

  • Postgraduate Administrator

Contact

  • 01223 332643
  • la449@cam.ac.uk

Department of History of Art

Contact Information

1-5 Scroope Terrace Trumpington Street Cambridge CB2 1PX
hoart-secretary@aha.cam.ac.uk
01223 332960

University of Cambridge

Logo © 2026 University of Cambridge
Privacy policy Accessibility Freedom of information Modern slavery Terms and conditions