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• University of Cambridge
• Department of History of Art
• Events

• Oskar Schlemmer's Dance Against Enlightenment: a lecture by Dr Noam M. Elcott (Columbia University)
• Pillow and Mirror: Absence as Subjectivity
• Representing Vacancy: Absence as Memory
• Demolition Projects: Absence as Contemporaneity
• Writing, Art and Chinese Culture
• 2012 Gender Symposium: Appearances of Gender
• Graduate Research Seminar - ‘Fashioning Identities: Clothing the Renaissance Body’
• ‘Light Points': A Conversation between artist Linda Karshan and art historian Alyce Mahon, supported by the AAH.
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - An Architecture of Reason?
• Art and Politics in Britain
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - Cathedrals and their Cities
• ‘The Cult of Venus’: Jean-Jacques Lebel and Alyce Mahon
• Slade Lecture: The Gothic Cathedral: A New Heaven and a New Earth
• CRASSH Conference 20-21st September 2012: Design without Frontiers: Interdisciplinarity and Collaboration in Soviet Art, Architecture and Design
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - Ductus and Memoria at Chartres Cathedral
• CRASSH Conference: Impressions of Colour: Rediscovering Colour in Early Modern Printmaking, ca 1400-1700
• The Cambridge History of Art Post-Graduate Medieval Research Seminars: 'From Better to Worse: Ecclesia and Synagoga in the Long Middle Ages'
• The Cambridge History of Art Post-Graduate Medieval Research Seminars: 'Exempla in Context, Policraticus and Bestiaries'
• Graduate Research Seminar - ‘Making Art in Tudor Britain - New Findings on Portraiture’
• Graduate Research Seminar - ‘(Dis)playing the Self: Claude Cahun and Hannah Höch’
• Graduate Research Seminar - ‘Identity in Conflict: Religion, Architecture, and Anglican Church Expansion in the British Empire, c. 1840-1900’
• Graduate Research Seminar - 'The Matter of Baroque and the Excess of Art History’
• Graduate Research Seminar - 'Taste, Gender & Modern Design’
• Graduate Research Seminar - ‘Heroes, Saints and the Glamour of the Gods: a Trans-historical Look at the Celebrity Image’
• Graduate Research Seminar - ‘Eastern Influences on the Christian Cultural Identity of Britain and Ireland, c. 550-850’
• Graduate Seminar Series 2012: From Natural History Museum to Ecomuseum: A Personal Journey
• Graduate Seminar Series 2012: Conservation at the National Gallery: An Overview
• Graduate Seminar Series Lent 2012: The Politics and Ethics of Museum Architecture
• Graduate Seminar Series Lent 2012: Collecting and Looting: The Effects of Museum Self-Indulgence
• Graduate Seminar Series 2012: The Art of the Picture Frame. Or, the Frame as Message from Artist and Patron: Museums Interfere at Their Peril
• Graduate Seminar Series Lent 2012: Representing loot from the Summer Palace in China: Auctions, Exhibitions and Museums in Britain and France
• Graduate Seminar Series 2012: Turning the King’s Library into the Enlightenment Gallery – Ten Years On
• Graduate Seminar Series Lent 2012: Curating Postmodernism
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - From Judgement to Atonement: Sculpture at Strasbourg, Lincoln and Naumburg
• Cambridge University Modern and Contemporary Art Seminar Series: Elite Art in an Age of Populism
• Cambridge University Modern and Contemporary Art Seminar Series: Cézanne's Colour
• Modern and Contemporary Art Seminar Series: Multiple Meter in Modern Art: Picasso, Braque, and the African Temporal Aesthetic
• Modern and Contemporart Art Seminar Series: Blue is a Colour Where it is Hard to Find Anything Missing: the Aran Islands, Venice, the Cyanotype and Agnes Varda's 'Le Bonheur'
• The Art and Science of Medieval Church Screens
• Medieval Research Seminar Series: Invention, Allegory and Enchantment at Fourteenth-Century Ely
• Medieval Research Seminar Series: On the Destruction of Buildings in Medieval England
• Medieval Research Seminar Series: One Long Crisis? A Survey of Church Building and the Medieval Economy
• Medieval Research Seminar Series: Crisis? What Crisis?' Interactions Between Extreme Events and the Material Record, AD 500-1500: Some Reflections
• Memory and Dutch Modernism: a lecture by Simon Schama
• 'Putting the Art into Artisan': a lecture by Graham Short, "the world's smallest engraver"
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - Royalty and the Cathedral
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - Architecture as Spolia: Suger and St-Denis
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - Dark Gothic
• Cambridge Courtauld Russian Art Centre (CCRAC) Conference: ‘On the Spiritual in Russian Art’
• Slade Lectures Lent Term 2012: The Gothic Cathedral: a New Heaven and a New Earth - Stained Glass: From narrative to moral meaning
• The Cambridge History of Art Post-Graduate Medieval Research Seminars: 'Statis Crisis, or 10 Different New Ways of Doing the Same Thing'
• The Cambridge History of Art Post-Graduate Medieval Research Seminars: 'The Anxiety of Orthodoxy; or, English Art c.1400'
• Things: Material Cultures of the Long Eighteenth Century
• University of Cambridge History of Art Graduate Conference 2012: Beyond Borders: The Impact of Cultural Exchange in Art History

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