This book offers a fresh look at the history of feminist informed art making, focusing on the 1970s when the Women’s Liberation Movement was most active. Rather than tell this story through one artist, or one medium or one strand of feminism, I wanted to register the complex ways artists negotiated women’s liberation, sometimes finding great empowerment, and sometimes frustration. I look at lots of different artists and practices situated in the US and the UK, emphasising the diverse ways artists confronted sexual difference.
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