A collaboration between the Centre for Visual Culture, University of Cambridge, and the University of Mainz
Funded by the DAAD-Cambridge Hub for German Studies.
Organizers: Alexander Marr (Cambridge) & Elisabeth Oy-Marra (Mainz)
27th November
Lecture Hall, Trinity Hall College
16:00: Keynote Lecture
Nicola Suthor (Yale): Macchia versus Memoria? Outlining Inner Images
17:30: Drinks
28th November
Graham Storey Room, Trinity Hall
09:15-09:30 Welcome remarks - Dr Alexander Marr
9:30-11:00: Session I
Chair: Elisabeth Oy-Marra (Mainz)
David Zagoury (Bibliotheca Hertziana, Rome): Graphic Autohypnosis ca. 1530
Claudia Reufer (FU, Berlin): Imagination and Figural Dimensions in Drawings of the Cinquecento
Lucia Tantardini (Cambridge): From ingegno to disegno: Grotesque and Climactic Invention
11:00-11:30: Coffee
11:30-13:00: Session II
Chair: Susanna Berger (USC Dornsife)
Claudia Steinhardt-Hirsch (Friedrich-Alexander University, Erlangen): Line - Scripture - Sign. On the Indexicality of Drawing in Early Baroque Florence
Iris Brahms (FU, Berlin): Iteration and Variation at the Margin. Paper as campo for Images and Experiments in the Case of Lodovico Cardi, called il Cigoli
Morgan Ng (Cambridge): Renaissance Pavements as Imaginative Surfaces
13:00-14:00: Lunch (speakers only)
14:00-15:30: Session III
Chair: Alexander Marr (Cambridge)
Elisabeth Oy-Marra (Mainz): The Economics of Imagination? The Use of Chalk and Charcoal in Drawings by Tintoretto and Lanfranco
Lisa Jordan (FU, Berlin): Time – Space – Motion. Guercino’s leggiadra penna
Heiko Damm (Mainz): Abbreviation, Cursoriness and Omission in Luca Giordano’s Drawings
15:30-16:00: Coffee
16:00-17:30: Session IV
Chair: Nicola Suthor (Yale)
Elvira Bojilova (KHI, Florence): The Expression of the Line
Alexander Marr (Cambridge): On Insinuation
Hanneke Grootenboer (Radboud, Nijmegen): The Manner in which ‘the Painter Thinks’: A Metaphysics of Drawing
19:30: Dinner (speakers only)
Chair: Elisabeth Oy-Marra (Mainz)
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