Supervisor: Professor Jean Michel Massing
Piquant Perfumes and Putrid Effluvia: Visualising Smell in Seventeenth Century England and France
Lizzie Marx completed the History of Art BA at King’s College, Cambridge, in 2014, and then worked for the Art Fund, the national fundraising organisation for museums and galleries. Lizzie resumed her studies in Cambridge in 2015 to read the MPhil in History of Art at Peterhouse, where she continued to work with her supervisor Jean Michel Massing exploring the imagery of proverbs. Lizzie's research covered representations of proverbs in early eighteenth century playing cards, depictions of ‘broomstick weddings’ and adages surrounding the scent of melons. It was this latter aspect of her MPhil research that introduced her to the great potential of looking at Early Modern imagery through the olfactory.
Lizzie's doctoral research, funded by the AHRC-Lander Studentship, is dedicated to challenging the accepted desensitised art historical narrative of the seventeenth century, by questioning the relationship between the perfumed and the fetid in imagery and craftwork, and exploring to what extent it impacted English and French society. The research addresses how artists and craftsmen strove to achieve the almost impossible task of visualising the olfactory in a range of media and an array of subject matters; from foul cadavers and plagues, to fragrant tobaccos and luxury scented gloves.