Reader in Modern and Contemporary Art History
Fellow of Trinity College
Director of Studies in History of Art, Trinity College
Director of Studies in History of Art, Queens' College
Alyce Mahon is the department's specialist in twentieth century art and critical theory. She studied the History of Art & Architecture and Modern English at Trinity College Dublin, graduating with a double first and gold medal for exceptional academic achievement.
Awarded both Chevening and British Academy scholarships for doctoral studies she moved to London to pursue a PhD at the Courtauld Institute of Art. She received her doctorate in 1999 and took up her position at Cambridge in 2000.
In her teaching and research Dr Mahon specialises on the dynamic between the body and the body politic in modern and contemporary art, photography, film and exhibition practice from dada and Surrealism to the Sixties counter-culture, feminist, and performance art. She is currently researching a book length project on the avant-garde 'cult' of the Marquis de Sade and his aesthetic of transgression, titled The Sadean Imagination: Image, Text and Terror. Further publication and exhibition projects explore the European avant-garde in exile during World War II (with particular attention to women artists), the Surrealist painter Dorothea Tanning (1910-2012), Jean-Jacques Lebel and his 'Festival of Free Expression' in the Sixties, and the art, writings and political activism of Carolee Schneemann and John Cage.
Dr Mahon has contributed to the accompanying catalogues for, and often acted as advisor to, major exhibitions on modern and contemporary art. In recent years these include: Silent Partners: Artist and Mannequin from Function to Fetish (Fitzwilliam Museum, Cambridge 2014 & Musée Bourdelle, Paris, 2015 ), Le Surréalisme et l’objet (Centre Pompidou, Paris, 2013), Leonora Carrington (Irish Museum of Modern Art, Dublin, 2013), Matta. Fiktionen (Bucerius Kunst Forum, Hamburg 2012), and Donna: Avanguardia femminista negli anni ’70 (2010).
She is the author of two books:
* Surrealism and the Politics of Eros, 1938-1968 (Thames & Hudson, 2005; trans. Surrealismo Eros y Politica, Alianza Barcelona 2009), in which she documents extensively the ground-breaking international Surrealist exhibitions held in Paris in 1938, 1947, 1959 and 1965, seeking to re-assert the importance of French Surrealism after World War II through a focus on the Surrealists' radical spatial and installation practice.
* Eroticism & Art (Oxford University Press, 2005, republished as part of Oxford History of Art Series, 2007), a comprehensive and controversial study of erotic painting, sculpture, photography, and performance art from the Enlightenment to the present day.
And co-author of:
* Jean Jacques Lebel: Barricades, co-authored with Axel Heil and Robert Fleck, Köln: Walther König, 2014
Further recent publications include:
* “The Assembly Line Goddess: Modern Art and the Mannequin” in Silent Partners: Artist and Mannequin from Function to Fetish, Fitzwilliam Museum Cambridge & Yale University Press, 2014, pp.191-221 and 246-248.
* “Sexology and the Artistic Avant Garde”, in The Institute of Sexology, Wellcome Collection exhibition catalogue, London: The Wellcome Trust, 2014, pp.36-49
* “She Who Revealed: The Celtic Goddess in the Art of Leonora Carrington”, in Leonora Carrington, Dublin: Irish Museum of Modern Art & New York: Distributed Art Publishers, 2013, pp. 126-153.
* “La Feminité Triomphante: Leonor Fini and the Sphinx”, Dada/Surrealism, Special Issue on ‘Wonderful Things: Surrealism and Egypt’, Issue 1, no. 19, December 2013 (http://ir.uiowa.edu/dadasur/vol19/iss1/10/)
* “Burn Baby Burn: Matta, die Politik und die sechziger”, in Matta. Fiktionen, Hamburg: Bucerius Kunst Forum, 2012, pp. 70-83.
* “The Lost Secret: Frida Kahlo and the Surrealist Imaginary”, Journal of Surrealism and the Americas, special issue on ‘Women in the Surrealist Conversation’, vol. 5, no 1, December 2011, pp. 33-54.
She has been a Distinguished Scholar for the Hong Kong Li Ka Shing Foundation's Scholars Exchange Programme with the University of Cambridge (2004), giving a series of academic and public lectures across China; a Research Fellow at the Columbia University Institute for Scholars, Reid Hall, Paris (2005); a Visiting Scholar at Princeton University (2006-07); and an Andrew Mellon Teaching Fellow at CRASSH, Cambridge (2009).
At undergraduate level, Mahon teaches a Part II option The Poetics & Politics of Surrealism which addresses the long history of Surrealism (1924-69) and its impact on the counter-culture and contemporary art over twenty-four lectures. She convenes, and contributes lectures and seminars on modern and contemporary art to core BA papers including Part I 'Paper 1: Objects' and 'Paper 2/3: The Making of Art' , and Part IIB 'The Display of Art: The Politics of Display'. She also contributes lectures to the core, team led paper 'Approaches to the History of Art' .
At graduate level, Mahon supervises students and teaches on the team taught MPhil degree. Topics she covers include Symbolism, the livre d'artiste, Surrealist art and writing, the 'informe' in inter-war Paris, 1960s performance art and contemporary feminist art, film and photography. Since joining the department in 2000, Dr Mahon has supervised 7 doctoral students to completion (working on aspects of American, French, British and Czech Surrealism; inter-war art in France and America; and contemporary French photography) and currently supervises 3 more. She welcomes enquiries from prospective graduates interested in fields related to her specialisms - notably dada, Surrealism, performance art, and feminist art practice in Europe and the United States.